★ The Archbishop Presents: Matt Haysom, Canterbury Poet

For the past few months, I’ve been working with a charity that helps people get back on their feet. One such chap is Matt Haysom. He writes poetry that encompasses many things, including the experience of sleeping rough, and now we’ve put together a website to showcase his stuff. It would be great if you could check it out and leave a comment. He’s new to blogging, so some friendly feedback would be ideal.

He’s a good, growing poet, but don’t just take my word for it. No less a personage than the Archbishop of Canterbury has lauded his poetry.

I’d recommend checking out his ‘West End Dreams’ (these aren’t the usual west end dreams) in the written form and this video, which was produced by students at the University of Kent.

★ My girlfriend on Three Counties Radio

Check out my clever girlfriend talking about her research into string pulling and cats on BBC Three Counties Radio. Be sure to listen to the very end, when you’ll find out the identity of her dream driving instructor.

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If the Flash player above isn’t working, you can access the audio file directly here: Britta on Three Counties.

UPDATE:

Britta has just been interviewed for BBC Radio Kent.

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Click here for the raw sound file.

And on BBC Radio Solent.

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Click here for the raw sound file.

And here’s a video of the cats in action:

UPDATE:

As of this moment, the Guardian article featuring the cat research is rated as ‘most read’ on the Guardian site. As ever, the comments contain plenty of trolling, idiocy, redundancy, misspelling, and the occasional sensible statement. Go, Web 2.0!

UPDATE:

Peter Wedderburn, a vet blogging for the Telegraph, has this to say.

UPDATE:

Under Scott Pack’s ongoing blog theme, “Is it just me or are all journalists shite?”, we can file this brief article in the Independent. Not only does the journalist, Kate Proctor, get the sex of my girlfriend wrong, she mis-reads several key facts.

★ An Unusual Amount of Pain

My osteopath is a short, pretty woman who maintains a stream of inconsequential conversation as she does things to my body that recall almost-forgotten aikido and ju-jitsu moves. Last Thursday, when she extended my arm and moved it in a windmilling motion, I almost followed through with a forward roll into the changing screen.

One of the muscles in my shoulder has been torn. Not in a knife fight, or reaching to pull a toddler back from a cliff’s edge. No; I wore a heavy rucksack for a bit. My girlfriend – who has been visiting a private osteopath for a few months – poked vulturishly at my arm and announced, not without triumph, that the only thing was for me to see an osteopath; her osteopath.

“But it only hurts when I salute. I read the Guardian; I don’t salute.” Manly pause, looking into the middle distance. “I’ll do this my way.”

I resolved to visit the (frankly ineffectual) NHS physiotherapist who had helped me with a running-induced hip injury last year. Unfortunately, this meant talking to my GP first. After three days of calling the surgery just after 8 a.m. to arrange an appointment – each request met by a chuckle and a statement that all the appointments were gone for the day, and that perhaps I should consider calling in one of the other quantum interstices between 8:00:00 a.m. and 8:00:01 a.m., which are infinite after all – I drew a chunk of cash from the Morrison’s ATM and booked an appointment with my girlfriend’s osteopath.

So here I am.

Her upside-down head moves into my visual field and she says, “You’ll have to tell me when it hurts.”

“Really? You think I should verbalise? I hadn’t thought of that. You’re right, though, it’s the perfect solution to my body-wide, dribble-inducing torment,” is what I never, ever say because it is indeed the case that I find it impossible to admit that primordial pain signals are petitioning my brain, thusly:

‘Excuse me,’ says my arm (which is English), ‘but I’m about to break.’

‘Pipe down,’ replies my brain, ‘it’s important to uphold pointless social norms.’

Arm: ‘But we’re lying here on this table in Ian’s special ‘going out’ underwear and odd socks. I think that social norms have gone by the wayside.’

Brain: ‘It’s not your job to think. Now, she’s about to grind the shoulder socket like a millstone. Stay frosty and alert.’

Stiff upper lip: ‘Hear, hear.’

My osteopath is utterly professional, and I cling to the knowledge of her long years of training as my body creaks, snaps, squeaks and shudders. I fantasise a peculiar analogue of esprit d’escalier in which I walk into a wardrobe at home and shriek into the towels.

Occasionally – when the man tears grow at the corner of my eyes and the massage table has gained a perfect record of my incisors – I’ll say, “Ooh, that’s really loosened the muscle,” going falsetto on the word ‘really’ and dilating my pupils independently.

“Yeah? Let’s work on this muscle for a bit.”

I go rigid with fear.

“Wow,” she says, “there’s still some tension in this one.”

“Gah.”

“OK, lie on your back for me and cross your arms. I think you’ll need some hot and cold treatment on the muscle for the next few days.”

“No pain, no gain,” I say, one of the few sentences whose syntax is within my brain’s grasp.

The osteopath leans across me.

“Now, don’t worry.”

I begin to worry.

Her upside-down face smiles and she lies across my folded arms.

“I’m going to keep one foot on the floor.”

As the osteopath bounces lightly up and down, like a darts player rehearsing a treble-twenty, the air leaving my lungs gets rather more pressurised than I’d like, adding occasional Tourettish volume to my words: “What does the FLOOR have to DO with iii-IT?”

Suddenly, she drops her weight through my chest. A sound comes from my back that reminds me of a door hinge being ripped from a frame. A warm feeling spreads down my body. Have I wet myself? I panic: What are the social rules in such a situation?

“Yes,” she says, as though continuing a thought, “you’ve been through an unusual amount of pain.”

I haven’t wet myself – that can come later, on the cycle ride home.

“Hot and cold treatment?” I croak.

“Yes, and I’ll definitely need to see you next week. OK?”

While my Id and Ego start slapping and poking each other in the race to gain control of my mouth, the Super Ego steps in and says, “That would be lovely!”

On the way out, I – or rather the piece of jelly shaped like me – give the secretary a weak salute.

Which grammar? That grammar?

Arnold Zwicky over the Language Log on the age-old that/which controversy:

The usual scheme for choosing relativizers is what I’ve called Fowler’s Rule: that in restrictive relatives, which in non-restrictive relatives (it’s more complicated than that, but this is the slogan version).

I’m with Fowler, but there are some authors – Douglas Adams, for one – who consistently uses which in a restrictive sense. Yet more evidence of the futility of a prescriptivist approach, ah guess.

Zwicky makes another point:

I guess I should remind you that in some quarters, “grammar” covers absolutely anything in language that can be regulated: discourse organization, syntax, word choice, morphological forms, stylistic choices, politeness formulas, punctuation, spelling, whatever

This gets on my nerves, too. I tend to use ‘grammar’ to mean ’syntax’.

What’s wrong with this passage?

★ Inconvenienced

Morrisons - GrrrrPretend you’re me.

You’re about to embark on a journey to the local supermarket – the Canterbury branch of Morrisons – for the components of a picnic lunch. If you like, pronounce ‘picnic’ as Yogi Bear would: “pic-a-nic”. Just get some salad, some sushi, a couple of drink yoghurts, and you’re golden.

Ready? Set?


You cycle to Morrisons because you’re an idiot who doesn’t care about your physical safety, and you laugh your way around the cars that try to park in spaces while you’re cycling across them. This is a good start.

On your way into the supermarket itself, you take a basket. For your convenience, baskets are placed in stacks. At the bottom of the stack there is a comedy basket – i.e. an immovable one – instead of a similarly shaped receptacle that is clearly not a basket, which would make it unambiguous whether or not there is a basket available – because that would be too easy.

As you continue into the shop, you might consider humming The Raiders March.

The metal batwing doors may – or may not – open automatically. To find out, you need to step towards them, shuffle backwards a bit, and step towards them again. Think of it as a Cèleigh. If the doors turn out to be automatic, you’ll probably walk through miming an opening action with your hand, giving the impression that you think you have Jedi powers. If the doors turn out to be manual, you’ll barge through with a combination of groin and basket, causing everyone who is feeling oranges to turn and look at you blankly.

Your route through the store will be a hellish zigzag orchestrated by the inaccurate signs that swing above the aisles. Let’s say you want to find some sushi. Should be with the other fish, right? Surely. Yon, there’s a massive counter of fresh fish! Next to it is a whole wall of pre-packed salmon, pilchards, and so on. So where is the sushi? About a quarter of a mile away, beyond the hateful metal batwing doors. Because that is the obvious place for sushi – next to the newspapers.

Paranoia begins to build. You wonder if the most commonly needed items are spaced the greatest distance apart. And you’ll be precisely correct – at least, you’ll think you’re correct. That’s what paranoia does.

Finally, you’ve found the ingredients of your meek picnic lunch. Now you’ve got a choice of about fifty cashiers or six ‘automated’ check-outs. Well, you only have about eight items, so it seems silly to queue with those people who are buying enough to overwinter at McMurdo Sound.

So you approach the automated check-outs.

Your first problem is that the checkouts are arranged in a square and can be joined from either the outward side of the shop or the inward side. This means that two rival, seething queues have developed. The phrase ‘I’m sorry, but there’s a queue’ is repeated with increasing vehemence. Baskets are rattled in threat.

While queueing, you notice that one of the six automated cashiers is broken. It’s never the same one. Perhaps the machine is on a break but lacks the physical capacity to go and have a cigarette by the wheelie bins with all the other staff. The ‘break time’ machine will show a Windows dialogue box with only one option. That option will be something like ‘Just accept it’.

You try to remain jolly as the people ahead of you get increasingly confused and frustrated by the way the automated cashiers don’t work. It soon turns out that Morrisons is using the word ‘automated’ in the sense that means ‘you do it’. Groans and sighs can be used to attract the one staff member tasked with loitering nearby. Wordlessly, she applies the same treatment to every ailment: she puts her key in the machine, gives it a savage twist, and resumes her nail biting over by the cigarettes, one heel resting on a comedy basket.

You think it’s over when you reach the automated cashier. It is not. The sign above says ‘15 items or less’. It quickly becomes clear, however, that unless these items are TicTacs, you have nowhere to put your items on the specially provided, uniquely small ‘inbox’ platform. You’ll need to put your basket on the floor and pretend you’re in the gym, doing a stand-crouch rep for each of your items.

Stupidly, you care about the environment and you’ve brought a canvas bag to use instead of the plastic ones provided. Talk about foolishness – for when you put the bag on the ‘outbox’ platform, the computer bleats ‘You haven’t scanned it! Alert! He hasn’t scanned it!’ and you realise that the bloody thing works by weight. It thinks that you’ve stolen the TicTacs. Still, you grunt and sigh and the wordless member of staff comes over and assaults the machine with her key and the machine stops bleating.

All that’s left to do is scan your items. Impishly, the surface of the outbox is covered by a wadge of Morissons plastic bags, which cannot be removed because they’re skewered to a metal frame. It turns out that a surface comprising layered plastic bags is second only to spherical Buckminsterfullerene in its frictionless properties. So anything you put on it – like, I don’t know, say, your bloody shopping – slides around like an air hockey puck, only every edge is the goal.

That’s OK. You cope with it. You half lie across the pile and try to maintain this posture as you do another rep in the Morrisons gym, scanning your next item using your foot. But you can’t seem to get the barcode to scan. Hmm, you think. Why not? You scan the item about sixty, seventy times before you realise that the computer is not happy – has issues with, is uncomfortable about – the fluctuating weight of the teetering pile of shopping in the outbox. Instead of communicating using that crazy, old-fashioned thing we call an error message – ‘Hey, bucko, quit lying on the frickin’ outbox’ or something similar – it just does nothing and pretends not to read the next item.

You relax. Of course! You remember that Morrisons is using the word ‘automated’ to mean ‘you do it’. Everything is fine. After all, the idea of automated cashiers has only been around for about thirty years, and it makes sense that, in 2009, they should still be this piss poor.

You go home and weep over your sun-dried tomatoes and curse the very day you decided on a pic-a-nic lunch.

srsly

In today’s Guardian Review, Andy Beckett puts forward a thoughtful argument about the difficulties of selling ’serious’ books1 in today’s publishing market. He talks in terms of non-fiction, but his arguments apply to fiction too.

“The market for really good books has not diminished,” says Stuart Proffitt, the publishing director of Penguin Press. [...] Proffitt concedes that such successes take more effort than they used to: “You have to think more carefully than ever before about every aspect of a book’s publication, how it looks, how you communicate its existence.” But he insists that the fears for serious books are overblown. “People in the book business are always saying there’s a crisis and we’re going to hell in a handbasket.”

The article is reasonably balanced, given its provenance, but I do wonder at statements like this:

There is a crisis in British bookselling, thanks to the internet, the recession and the particular competitiveness of the British high street.

To make sense, this rests on defining ‘bookselling’ as something that excludes the Internet – a distinction akin to defining a road vehicle as anything pulled by a horse. Why isn’t Amazon.co.uk seen as British publishing? Sure, it’s an American-owned company. But a quick search on Wikipedia confirms that there are few UK publishers who stand on their own two feet.

Is it the end for quality non-fiction? | Books | The Guardian


1 By this he means good, I think

Him and His Big Mouth

Scott Pack is big on book covers. Why? Because people who browse bookshops really do judge books by them, and as former Chief Buyer at Waterstone’s, Scott probably had access to data that confirmed this relationship.

A good freelance designer will charge between £500-£750 for a book cover. Hardly pocket money but, trust me, it could make the difference between selling a few hundred copies and, oh I don’t know, SELLING FUCK ALL!

A book cover is tricky to get right. Frankly, it’s one of those things – like editing video footage – that looks easy but isn’t.

Me And My Big Mouth: Dear Self-Published Author

Bento for iPhone/iPod Touch is Available

I use the Mac-only database application Bento for all kinds of things, including marking. Excitement abounds this morning as I see that Bento is now available for the iPhone and iPod Touch via the App Store.

Scott Pack on Buying the New Dan Brown

Don’t buy it at half price, for God’s sake. ASDA will be giving it away as trolley ballast.

With Harry Potter now off shagging whoever it is he ended up with in the final book, the supermarkets will, I am pretty sure, jump on any ‘event’ title with glee and do their level best to sell as many copies as possible. And love him or loathe him, a new book from Dan Brown is definitely an event.

The Lost Symbol: The Real Losers

Bill Thompson: Brave, New, Inscrutable World

Beeb techie pundit chap Bill Thompson makes an interesting point about the two cultures – computer literate and computer illiterate – growing apart in the digital age.

Far too many people who use computers every day, and have them in their homes, aren’t even capable of applying the system updates that Microsoft and Apple automatically send out, leaving them with buggy and insecure systems vulnerable to all sorts of attack.

You can follow Bill on Twitter, naturally.

BBC NEWS | Technology | A nation of programmers?